Showing posts with label OSI. Show all posts
Showing posts with label OSI. Show all posts

Sunday, June 14, 2009

WALLS (OSI)




one boy, the brother
of a girl I barely knew
I still think of him
every last monday in may
his name somewhere on the Wall





For those of you who may not be familiar with the reference, this tanka-style poem is written about the Vietnam Memorial in Washington, D.C. In the 1960s, a girl in my church lost her older brother in that war. It was the closest that the conflict ever came to me, but I remember it to this day. The omission of certain letters normally capitalized in intentional; I wanted Wall to be the only one.


I haven't been posting much to OSI lately, and I thought I should just mention that this will probably continue. I'm currently working on a new poetry manuscript, and find that I want all my poetry energy for it. That doesn't mean I might not drop by sometime if the Muse permits, and I hope to join up again at some point. I will be continuing with this blog, just not joining in OSI. I'll miss you guys; happy writing to all!


Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Sunday, May 10, 2009

WHAT’S IT LIKE? (OSI)

it’s like:


learning it isn’t too serious

hearing they really liked it

not wanting to go, then it’s cancelled

starting over

finding a twenty in your jacket pocket
on your way out to lunch

being vindicated at last

a breath of fresh air

you never went

it never happened

I always dreamed it would be





Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Photo from http://thinkdotank.googlepages.com/clotheslineproject

Sunday, April 19, 2009

ONE WORD (OSI)

one after another after an
other, the words tumbled
out, in my voice
towards you
it’s impossible to say exactly
how many, impossible
to reconstruct them precisely as
they were but
in the end they all could
be reduced to
one

now I have
written everything
down the way it ought to have been
and it still comes out
to just one









Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Sunday, April 5, 2009

LISTENING (OSI)














THE HERON KNOWS ONE BIG THING

hush
be….. now, be
very quiet and
very…..
be…..and know

listen to the…..small
voice inside you

be….. my heart
and I will…..the waters
….. water runs
deep

will you…..be
here in the morning?

I …..love you


Photo by Juanita Small Salmon: Great blue heron at Ninepipe National Wildlife Refuge, near Ronan, Montana

Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Sunday, March 29, 2009

SMOKE (OSI)




smoke from a burnt match
candles flare against the night
one dark hour for earth







I don’t take night shots very often, but I love the synchronicity that the photo I took on my front porch (on the OSI site) just happened to end up being posted with the one I shot last night for Earth Hour, in support of a solution to our global energy needs.


Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Sunday, March 22, 2009

EQUALS (OSI)



twice a year, one day
will be equal to one night
over a lifetime
one heart will be equal to
an ever-recurring dream











Visit ONE SINGLE IMPRESSION to read haiku, tanka, and other poetic responses to this prompt, or to participate yourself!

Sunday, March 15, 2009

FAREWELL (OSI)



SAY GOODBYE

another summer gone
the annual extinction of
each autumn day begins
a Mourning-cloak lies
fallen at the gate
wing margins in tatters
the wave of its life
sinking back into
the river of all living

the air is clear
and bright with molecules
of Caesar’s dying breath
of fresh-cut spruce
and the last faint sigh
of the old season


Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.
Photo from www.discoverlife.com

Sunday, March 8, 2009

A FORK IN THE ROAD (OSI)





last summer’s lunch break
you gonna finish those fries?
winter’s lost and found














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Sunday, March 1, 2009

CIRCLES (OSI - First Anniversary)


time leaves its mark on both
old firewood and new
tallied by seasons
of delicate pencil-growth
and metered by
the gnomon shadow
of the falling axe

time's passage is
guided by the sweeping curve
of planets and whole galaxies
of one cat, nine lives
everything turning
beneath the circle
of the sky



Photo: “Sadie on the Woodpile” taken in Ronan, Montana in summer 2003.
My friend, Juanita Small Salmon, and her husband Stephen, run a sweat house one evening each week on their property. Stephen has just brought down a load of new firewood, used to heat the rocks, and stacked it against the sweathouse wall. I liked the patterns the ends of the logs made, and at first I didn’t even see Sadie on top, curled up in a ball as she was, until she raised her face to watch me take her picture.



Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Sunday, February 22, 2009

TWILIGHT (OSI)

night draws softly nigh
warm currents thread through cool air
one last bird sings, then...










Video by YouTube member HarveyEspatchelowe
Visit ONE SINGLE IMPRESSION for more haiku and other poetic responses to this prompt.

Sunday, February 15, 2009

SPECTRAL (OSI)



sky like a wide gate
wind like a thousand loose dogs
a rainbow and ghost








I wanted to make a kind of word play with this prompt, on the two meanings of spectral - one derived from spectrum, and the other from specter.


Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.
Photo from Shutterstock

Sunday, February 8, 2009

MOVEMENT (OSI)







bowl of emptiness
furiously churning
still life with atoms










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Photo from Shutterstock

Sunday, February 1, 2009

SLOWLY (OSI)





mountain rock pebble
fine sandy beach underfoot
slowly but surely






Photo of Clearwater River, AB from Wikimedia Commons
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P.S.
Many thanks to much admired blogging friends Kat and Sylvia for giving awards to this blog. Do give them a visit if you don't already, they are both a delight. I'll work on passing them along in a future post; thanks, gals!

Saturday, January 31, 2009

POETRY’S FACTS AND FICTIONS


One thing I’ve noticed since I’ve been participating in One Single Impression’s weekly poetry prompt is that occasionally the question arises of how autobiographical (or not) a particular poem may be. I’ve noticed it in how I view some of the poems I read on other blogs, and I’ve seen it in comments left for me. Some bloggers post additional comments to give the backstory of their poem, or dedicate it in a way that gives readers insights, but many times the poems are just offered as they are, and readers decide. We can probably all agree that knowing the biography of a particular poet can often enhance our understanding of “what the poem means” but can it sometimes be a distraction that has the potential, at least, to alter or limit what we can take away from it for ourselves?

Lately, on my blog and on some others, American poet Robert Frost has been mentioned. I was thinking of another poem of his that I love and have memorized – Bereft. I love it for its vivid imagery, and the soft undercurrent of sorrow that runs throughout. I know a little of Frost’s life, but not enough to say: Oh yes, that must have been written about such-and-such. Still more questions crowd in – is the whole poem personal, or just a few lines? Might he simply have explored an old abandoned beach house one day on a lark, and constructed the melancholy poem around that event? What might change for me if I did know where Frost’s inspiration was deeply autobiographical - or a complete fabrication?

Another of Frost’s poems that I enjoy very much, one that isn’t set in New England, is the light-hearted history lesson in The Bearer of Evil Tidings. It’s obviously closed to speculation that it came from his personal life, but wait – what if it came in part from some old childhood book that was read to him? There’s just no telling, unless, of course, the author chooses to. I’m also reminded of the stirring essay and poem that fellow blogger Sandy Carlson wrote for OSI last week, where she talks about a poet’s/poem’s ability to create intimacy and distance both at once. It’s a very insightful post on the subject, worth re-reading.

I’d love to hear from any of you about this, either as a writer or reader, or both. What do you or don’t you assume when reading poetry? What is your own best source of inspiration?






The photo was sent to me by my friend, Sydney; it’s her beautiful blossom-covered backyard deck last spring. I thought the view, taken through the screen, kind of suited this post.

Sunday, January 25, 2009

IF I ONLY HAD TIME… (OSI)







…I would write less
(and hopefully better)
I would get
less done
(waste time well)
and I would take a leap of
the heart (but perhaps that is more
a matter of being
fearless than of time)



The inspiration for this post came from the OSI prompt, combined with a quote attributed, variously, to Mark Twain, Abraham Lincoln, and Winston Churchill: If I'd had more time I would have written you a shorter letter.

Visit ONE SINGLE IMPRESSION for haiku and other poetic responses to this prompt.

Sunday, January 18, 2009

FADING MEMORIES (OSI)


there is one memory
something that will
not fade away
but remain, persistent
as the ghost of wildflowers
gathered up, held close
petals, stamens pressed
without regard for
bright pollen, permanently
staining a white summer blouse
there will always be
this one, indelible trace
preserved here (hand touching
heart) forever







ONE SINGLE IMPRESSION offers a weekly prompt for anyone to write and share haiku and other poetic forms. Thanks to the sponsors for this opportunity!



Photo of wildflowers taken at Three Skull Lake - High Country, Alberta

Sunday, January 11, 2009

A SUMMER’S DAY (OSI)





held captive by cold
waves that laughed and played must wait
summer’s day to come







sun warms the season
summer’s day stretches itself
cold now forgotten









The summer photo is of the waves hitting my section of the breakwall; the winter shot about a mile west of me. The ice in that shot is so high it completely blocks the resident's view of the lake! I hope that doesn't ever happen to me, but it's hard to predict with all the variables of shoreline, temperature, wind, lake level and precipitation in any given years.


For more poetic responses to this prompt, or to join in, visit
ONE SINGLE IMPRESSION

Sunday, January 4, 2009

SKIN (OSI)





power, protection
small white beaded doeskin bag
raven medicine












For more poetic responses to this prompt, or to join in, visit
ONE SINGLE IMPRESSION
Raven photo taken near Anchor D Ranch, west of Turner Valley, in the Alberta foothills

Sunday, December 28, 2008

STARDUST (OSI)

This tanka-style poem was inspired by a combination of this week’s prompt, Stardust, by the photo of the sunset a few days ago, and by some lyrics in a Joni Mitchell song.




ashes of burnt clouds
night wing rises in the west
look – the sky, the sky!
born of ancient glowing dust
we appear among the stars


We are stardust, we are golden
Billion year old carbon
And we got to get ourselves
Back to the garden

lyrics from "Woodstock"

For more poetic responses to this prompt, or to join in, visit
ONE SINGLE IMPRESSION

Sunday, December 21, 2008

A WINTER’S DAY (OSI)






the earth leans away
sun turns a long cold shoulder
shortest winter's day









Haiku for
Winter Solstice, 21 December 2008



For more poetic interpretations of this prompt, visit
One Single Impression
Photo by Sydney P., Calgary, AB